澳大利亚电影

澳大利亚电影 澳洲电影行业是全球电影业中有影响力的国家之一。澳洲曾经制作或出品过一些优良的电影,现今,有众多澳洲电影人活跃于好莱坞,被称为桉树叶帮。电影行业,是澳大利亚文化的重要组成部分之一。 历史-在第二次世界大战前,澳洲制作过一些电影,有很多不乏被称之为优秀作品的电影在其中。第二次世界大战后,澳洲的电影行业,几乎处于一种停顿状态中。直至1970年代开始,工党领袖惠特拉姆为首的执政党政府,开始设立澳洲电影发展公司,其后,更改名称,为澳洲电影委员会(AFC).电影委员会,设立了属于政府自己的电影制片机构澳洲电影局,出资拍摄大量的电影,引发了澳洲历史上的第一轮电影制作热。著名的报纸专栏作家和广告业巨头菲利普·亚当斯,是在当时电影热时期的积极参与者之一。 澳洲人至今为止,澳洲的制片人,以及导演,以其独特的风格,在全球电影业上,赢得了属于自己无可争辩的地位,并对好莱坞影响巨大,在好莱坞,一些旅居美国的澳洲电影人,被称之为“桉树叶帮”。现今,活跃于好莱坞的多位制片人、导演,以及演员,来自澳洲。 知名电影参与者-他们其中,有多位曾经获得奥斯卡金像奖不同类别的奖项。曾经分别获得过奥斯卡金像奖最佳男主角和最佳女主角奖的演员,包括-妮可·基曼,梅尔·吉勃逊,杰弗里·拉什,拉塞尔·克罗,凯特·布朗谢。曾获得过奥斯卡金像奖最佳制片的制片人有4人,分别是迪安·塞姆勒,约翰·西尔,安德鲁·莱斯尼,拉塞尔·博伊德。知名的电影参与者,有许多包括-奥斯卡金像奖的最佳艺术,最佳原创,最佳服装设计,最佳摄影,最佳视觉效果,最佳导演,最佳化妆,最佳艺术等获得者。 知名电影(注:一些电影,是由澳洲电影人主要参与过的,制作地,大多数在美国好莱坞) 《无法无天》(1990年) 《舞出爱的火花》(1991年) 《鳄鱼邓迪》(1986) 《宝贝小猪罗》 《闪亮的风采》 《伊丽莎白》 《莎翁情史》 《巴拿马的裁缝》 《加勒比海盗》 《钢琴》 《一个女人的肖像》 《圣烟》 《飞行者》 《帝国黑客》 《角斗士》 《指环王》 《勇敢的心》 《英伦情人》 《与狼共舞》 《黑客帝国系列》 《红磨坊》 《怒海争锋》 《岁月如歌》 《澳大利亚》(2008) 《奇袭60阵地》 Australian Film

Australian film industry is the world’s influential film industry in one of the countries. Australia has produced, or produced some excellent films, today, there are many people active in the Hollywood film in Australia, known as the eucalyptus leaves to help. Film industry, is an important part of Australian culture is one.
History – before World War II, Australia produced some of the movies, there are many excellent works lack the film called where. After World War II, Australia’s film industry, almost in a standstill state. Until the 1970s, the Labor Party leader Whitlam government, led by the ruling party, began to set up the Australian Film Development Corporation, later, change the name for the Australian Film Commission (AFC). Film Commission, a government set up his own film production institutions in Australia Film Board, a lot of money to shoot the film, led the first round of the Australian history of film production heat. Well-known newspaper columnist and advertising giant, Philip Adams, at the time the film is an active participant in one of the hot period.
Australians so far, the Australian producer and director, with its unique style, in the global film industry, has won the undisputed position of their own, and the enormous impact of Hollywood, in Hollywood, some living in the United States, Australia film, called “eucalyptus to help.” Today, active in a number of Hollywood producers, directors, and actors, from Australia.
Well-known film actors – one of them, a number of different categories have received Oscar awards. Have respectively won Academy Award for best actor and best actress actors, including – Nicole Kidman, Mel Gibson, Geoffrey Rush, Russell Crowe, Kate Brown Xie. Who won Academy Award for best producer’s producer 4, respectively, is Dean Semler, John Sylvester, Andelulai Disney, Russell Boyd. Well-known film actors, there are many, including – Academy Award for Best Art, Best Original, Best Costume Design, Best Cinematography, Best Visual Effects, Best Director, Best Makeup, Best Art and other access who.
Well-known film (Note: some of the film, is mainly involved in the Australian film ever to produce, the majority of Hollywood in the United States)

“Lawlessness” (1990)
“Dance of love” (1991)
“Crocodile Dundee” (1986)
“Baby pig Law”
“Shine”
“Elizabeth”
“Shakespeare in Love”
“The Tailor of Panama”
“Pirates of the Caribbean”
“The Piano”
“Portrait of a woman.”
“Holy Smoke”
“The Aviator”
“Hacker Empire”
“Gladiator”
“Lord of the Rings”
“Braveheart”
“English Patient”
“Dances with Wolves”
“The Matrix” series
“Moulin Rouge”
“Master and Commander”
“Suiyueruge”
“Australia” (2008)
“Surprise attack 60 positions.”

American Film Institute Film Master Class held in Beijing (Photos)
2011-12-03, jointly by the American Film Institute Beijing International Copyright Trade Center jointly organized a three-day 2011 “Film Master Class”, concluded in Beijing. Including, former Chairman of Oscar Sidney – Ganis, President of the world’s largest short film festival – John Paulson, Warner Brothers studios, senior vice president John – Kaibo, the movie “life-threatening abyss” director Ali Manchester – Gerry Wilson and other nine international film master Han Sanping, chairman of China Film Group, Huayi Brothers Pictures Chairman Wang Jun, chairman PolyBona in winter, DMG Media Group CEO Dan – dense Benz, Beijing Enlight Pictures Kwong Wai Man, writer director, XUE Xiao-road and other domestic film industry heavyweight guests, gathered from more than 10 countries in the Asia-Pacific region more than 60 young filmmakers, the film co-production co-taught the world’s current situation and prospects, and from the screenplay development, filming, post production, marketing, distribution, and the subject of the Hollywood studios to start mode, enter the international market for Chinese films feel the pulse of ideas. Meanwhile, the masters were the industrial system, business management, career, legal rights, international cooperation, 3D production and other hot topics that began with the students close dialogue.

In today’s promotion at the end of the film project, the young filmmaker from Australia Brandon – Skinner, the 16 contestants from the finalists to win, won the “Hollywood Tour” award, he will go to Hollywood studios learning exchange company to promote their own projects. In addition, five young filmmakers from various countries, received the Award of Excellence. Chinese student Liu Ying won the Motion Picture Association of America President of Asia Pacific Ellis good invited, as guests, held in Australia in 2012 to participate in the “Asia Pacific Screen Award”.

The ceremony, former Chairman of the United States Oscar Sidney – highly appreciated Mr. Ganis Picture Association of America and the Beijing International Copyright Trade Center, built as a platform for young filmmakers. He said: “China’s development of the gold film is entering a critical stage, through the organization ‘film master classes’ these exchanges, we hope to in the international film, and see the real influence from the Chinese film production, but also hope that the Chinese film , to obtain gains early in the Oscar. ”

In recent years, the rapid development of Chinese film industry attracted worldwide attention, theater construction and box-office showing explosive growth. In this context, how to improve the overall quality of domestic films, Chinese films in time to capture a golden opportunity to the international market, China’s film is an important topic of concern. Turning held “Film Master Class” mind, Motion Picture Association of America, president of China Feng Wei said: “China in enhancing the level of international film, Hollywood has a mature industry, mode of operation, and marketing system should learn from recent years, In addition we actively help promote Chinese films overseas (for example, in early November, held in the United States ‘Chinese-American co-production film retrospective’, etc.), hopes to organize ‘film master class’ way, so that more young Chinese film people – about learning foreign film production means and cutting-edge technology, through co-production, cooperation, the Chinese films are more global audiences. ”

American Film Institute American Film Institute (MPAA / MPA) on behalf of the U.S. entertainment industry organizations, members of the company including: Paramount Pictures, Sony Pictures Entertainment, Twentieth Century Fox Film Corporation, Universal Studios, Walt Disney film and television production company and Warner Bros. Entertainment Company.

European Union, global, world, international, five continents, four oceans, the Atlantic, Pacific Film critics circle; critics circle; film bilingual (Chinese / Chinese; English / English) critics circle; film three languages ​​(Chinese / Chinese, English / English; French / French) critics circle;
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美国电影协会在北京举办电影大师班(组图) 2011-12-03,由美国电影协会携手北京国际版权交易中心联合举办,为期三天的2011“电影大师班”,在北京落下帷幕。包括,奥斯卡委员会前主席西德尼-甘尼斯、全球最大短片电影节主席约翰-保尔森、华纳兄弟制片公司高级副总裁约翰 – 凯柏、电影“夺命深渊”导演阿里斯特-格里尔森等九位国际级电影大师与中影集团董事长韩三平、华谊兄弟影业董事长王中军、保利博纳董事长于冬、DMG传媒集团CEO丹-密茨、北京光线影业邝文伟、编剧导演薛晓路等国内电影行业重量级嘉宾,齐聚一堂,为来自亚太地区10多个国家的60余位年轻电影人,讲授全球电影合拍合作的现状和前景,并从电影剧本开发、影片拍摄、后期制作、营销发行,以及好莱坞制片厂模式等课题入手,为中国电影进入国际市场把脉献策。同时,大师们分别就产业机制、企业管理、职业生涯、法律维权、跨国合作、3D制作等热门话题与学员们展开了近距离对话。   在今天结束的电影项目推介会上,来自澳大利亚的青年电影人布莱登-斯金纳,从入围的16位参赛者中胜出,获得了“好莱坞之旅”大奖,他将前往好莱坞制片公司学习交流,推介自己的项目。此外,5位来自各国的年轻电影人,获得了优秀奖。中国学员刘影获得了美国电影协会亚太区总裁艾理善的特别邀请,作为贵宾,参加2012年在澳大利亚举办的“亚太电影奖”活动。   颁奖仪式上,美国奥斯卡委员会前主席西德尼-甘尼斯先生高度赞赏美国电影协会和北京国际版权交易中心,为青年电影人搭建的平台。他说:“中国电影正在进入黄金发展的关键阶段,通过举办‘电影大师班’这类交流,我们希望能在国际影坛上,看到来自中国真正有影响力的电影制作,也希望中国电影,能早日在奥斯卡获得斩获。”   近年来,中国电影产业的高速发展令世人瞩目,影院建设和票房都呈现爆发性增长。在这个大背景下,如何提升国产电影的整体水准,及时捕捉中国电影走向国际市场的大好时机,成为中国电影人关注的一个重要课题。谈到举办“电影大师班”初衷,美国电影协会中国区总裁冯伟说:“在提升中国电影的国际化水平方面,好莱坞有一套成熟的产业运作模式,和市场营销体系值得借鉴。近年来,我们除了在海外积极协助推广中国电影 (如,11月初,在美国举办的‘中国美国合拍电影回顾展’,等等),希望通过举办‘电影大师班’的方式,让更多的中国青年电影人-了解学习国外的电影制作手段和前沿技术,通过合拍,合作,使中国电影受到更多全球观众的喜爱”。   美国电影协会是美国电影协会(MPAA/MPA)是代表美国影视娱乐的行业组织,成员公司包括:派拉蒙电影公司、索尼影视娱乐有限公司、二十世纪福克斯电影公司、环球电影公司、华特迪士尼影视制作公司和华纳兄弟娱乐公司。 歐盟,全球,世界,國際,五大洲,四大洋,大西洋,太平洋電影評論家社交圈;影評家社交圈;電影雙語種(漢語/中文;英語/英文)評論家社交圈;電影三語種(漢語/中文,英語/英文;法語/法文)評論家社交圈; 英語,英文,由谷歌自動翻譯;谷歌英語;谷歌英文 From: http://www.billionairesParty.com http://www.billionairesGroup.com http://www.billionairesdesire.com http://www.helicoptersbuyers.com 英聯邦直升機銷售集團公司董事局主席:Mr.George Chen = Mr.Geoorge S. Chen : 1779642876@qq.com ; george13901623260@163.com ; chensihong1961@126.com ; QQ: 1779642876 我自己的,只接受短信的手機(0086-13901623260); 我的一切生意夥伴,請與我的各個郵箱聯繫;潛在購買歐美品牌直升機者們,請你務必出具銀行資信證明書;如果購買者沒有RMB 3,999,999以上巨額存款證明書者,請勿打擾,謝謝 歐美名牌直升飛機購買者請填表:姓名,預算額,名片,單位網址,手機號碼,郵箱號碼,QQ號碼,用途,使用地點,飛行公里要求,有否直升機駕駛私照…

《澳大利亚电影》有2个想法

  1. 歐盟,全球,世界,國際,五大洲,四大洋,大西洋,太平洋電影評論家社交圈;影評家社交圈;電影雙語種(漢語/中文;英語/英文)評論家社交圈;電影三語種(漢語/中文,英語/英文;法語/法文)評論家社交圈;
    European Union, global, world, international, five continents, four oceans, the Atlantic, Pacific Film critics circle; critics circle; film bilingual (Chinese / Chinese; English / English) critics circle; film three languages ​​(Chinese / Chinese, English / English; French / French) critics circle;
    English, English, automatic translation by Google; Google English; Google in English
    From:
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    http://www.billionairesGroup.com
    http://www.billionairesdesire.com
    http://www.helicoptersbuyers.com
    Commonwealth Marketing Group, Inc. helicopter Chairman of the Board: Mr.George Chen = Mr.Geoorge S. Chen:
    1779642876@qq.com;
    george13901623260@163.com;
    chensihong1961@126.com;
    QQ: 1779642876
    I own only accept mobile phone text messages (0086-13901623260);
    All my business partner, please contact with me every mail; potential purchase of European and American helicopter makers, you must issue a certificate of bank credit; if the buyer does not RMB 3,999,999 or more large certificates of deposit, please do not disturb, thank you
    European and American brands helicopter purchase, please fill in a form: name, budget, business cards, unit address, phone number, box number, QQ number, purpose, location, flight kilometers requirements, whether private helicopter driving license …

    Australian film-Aodɑliyɑ diɑnying Australian Film Australia, cinema in 1896 August, the Opera House in Melbourne, the first show produced by the British RW Paul, Westminster, London Bridge on the record video. Meanwhile, the French Lumiere brothers sent a photographer, a documentary filmed in Melbourne, reflecting the grand Melbourne Cup activities. The film, in Melbourne and Sydney, release up to three months, a foreigner in Australia’s first film shot

    Catalog
    Introduction
    Australian Film History
    The silent era (1890-1930)
    The early sound era (1930-1960)
    Interim period (the 1960s)
    Renaissance (1970)
    The outbreak period (1980s)
    Wave after (since 1990)
    Introduction to the early 20th Century, the British anthropologist C. Spencer to shoot in Australia on indigenous customs and habits are still the documentary, created to study the cultural life of indigenous peoples for the purpose, anthropology documentary of its kind, the Salvation Army, in This time, began to take a short religious propaganda feature films, such as, “the early Christian martyrs” (1899). The first Australian produced film “the story of Kelly Gang”, released in 1906, it marked the birth of Australian film. Videos filmed by C. Tate, Grand Theft Auto Kelly described the contents of the struggle between the brothers and the police story. This is clearly selling the film by the U.S. “The Great Train Robbery” (1903) effects. “Kelly Gang Story” screening time of 66 minutes, and after the screen with a voice actor, which is likely to be the world’s first Minister of feature films. The film’s best-selling, similar to the U.S. this has led to the proliferation of movie westerns. At that time, there is no drift of the director, only R. Longford he was born actor, since when the director after the film’s consistent attention to quality, works with a realistic style. His film “Bounty mutiny” (1915), “our choice” (1919), and “sentimental guy” (1920), have been a higher rating. Especially the latter, succeeded in shaping the Australian character.
    Before the First World War, the United States, British films began to enter Australia, and the new Australian film competition. From the 1920s onwards, the British low-cost American film, and gradually occupied the Australian film market. Australia’s national film, due to high costs, poor subject matter and other issues, caught in depressed position, many filmmakers are forced to abandon the feature film of the shooting, turned to documentary. This situation continued until after World War II, 50 to 60 years to dominate the U.S. movie screens in Australia, reaching the pole. During this period, only a few directors, for the prosperity of their films, and hard to be creative. Of them, a greater impact, is G.E. Jowell. From 1925’s “Mongolian than the stupid bug” a start to ending poverty, he died in 1959, Jowell produced a number of real theme of the movie Australia, for example, reflect the Australian troops, the first during World War II, heroic operations of the “forty thousand cavalry” (1941), and “Tuoboluke’s mouse” (1948) and so on. Finally, an important work he is “Jada” (1955), he dealt with racial issues in the film properly, the film failed.
    World War II, the public information needs, the Australian documentary, has made significant progress at the same time, absorb and develop a lot of film makers. After World War II, Stanley Hawes, in 1946, established a federal shooting a documentary film agencies (ie, now the Australian film company), KG Hall in his company, set up a film documentary of the department. At this time, studied anthropology at the University of Sydney’s I. Dunlop, entered the film industry. From 1957, he repeatedly entered the desert of Western Australia, shot a lot of documentaries about indigenous life, becoming an authority in Australia anthropological film.
    70 years, the government’s attention and encouragement (eg, the establishment of Film Commission, for funding the film, offering film, television schools, founded the Film Archive, etc.), the further awakening of national consciousness, the Australian Film, into the Renaissance. This first in – long feature film production has steadily increased. Australia in 1969, only five made films released, to 1971, rose to 11. Throughout the 1970s, the average annual distribution 15.2-made films, then, this figure increased. Second, the film-making and technical personnel, expanding and becoming more mature, particularly a group, the young director who, in the early 1970s, after another onto the film, promoting the development of China-made film. The new force, there are: T. Perth Rosenthal, P. Weil, B. Beresford, J. Dewy Gan, D. Cron ratio, F. Xie Pixi, David? Williamson , Yi Geer? Okutsu Adams, G. Armstrong, and so on. Most of these works director, content and form, are Australia, for example, directed by P. Weil, “picnic on the cliff” (1975), and “Gallipoli” (1981); by B . Beresford directed “get wisdom” (1977), and “horse hand” (1980); by G. Miller, director of “people coming from Snowy River” (1981) and other films, all new Australian national cinema in the crowd. The content of the film, drawing on history, does not directly reflect the reality, they can cause social problems of today’s viewers think and think. Some of the film’s content, more levels, covers a broader, thought-provoking. These films, in general, pay attention to composition, use of light and color, just right; lens fluid, good use of natural scenery as the backdrop. With the development of motion pictures in Australia on the screen, there a number of influential local movie star: Mel Gibson, John Hargreaves, Jack Tang Pu Sen, Brian, Brown, Helen Moss and so on.
    Since the 1980s the Australian film, the potential of these characteristics at the same time, in some respects a new breakthrough. This primarily reflected in the content is not limited to history, but also with a practical subject matter, such as drug abuse reflect the feature film “Winter Dreams” (1981). More importantly, reflect the indigenous film, again. Them from the early documentary, feature film development to the form to reflect their lives and problems, generally have a strong appeal. John Honeywell as a “manga Nini” (1980), and Tianjin Igo Omar Adams’s “The remote areas” (1982). 80 years, the Australian film renaissance, in the initial stage, this is primarily because the film in Australia, and made films still in the minority, foreign films still dominated, which is mainly American films, in general, annual imports of 200 so;
    According to the Australian Publishers Association’s statistics, from 1963 to 1981, 100 in Australia’s most popular performances of the film, made films, only 8. Second, the unique film, made in the entire film production in the minority. Utterly mediocre, full of the contents of the film, there are a lot. That is some good works, sometimes also pornographic lens.
    Australia’s annual output of films, about 20, there are more than 900 theater seats (including, cars movie games), 35 million people in the audience, box office revenues $ 100 million. The federal government has a film commission, the main role is to fund the assistance, and production of a film screenplay writing, management, Australian Women’s Film Fund, the Australian production company, and with the National Library, responsible for maintaining the Film. The federal government has a film and television school, New South Wales Film Corporation, the Film Censorship Board and the National Library are part of the Film Archive. Film Censorship Board is responsible for the public exhibition of motion pictures in theaters and imported ray examination, which focuses, in addition to political issues, including sex and violence.
    Australian film industry, mass organizations, many of them, the greatest impact, the Australian Film Institute. It is set apart from the Film Archive, research centers and other publications each year, also held the Australian Film Awards event, which is held every year six or seven film awards, the most important. Australia each year, about holding more than 10 film festivals, which is more influential: have been held more than 40 times the Sydney International Film Festival, and has held more than 30 session of the Melbourne International Film Festival.
    Australian Film History
    The silent era (1890-1930)
    Since the late 19th century invention of the film this technique, the Australians will firmly grasp this opportunity, all the passion will be put into the new media, the Australian film industry into a period of rapid development. Soon, the Australian film industry, has become the world’s most powerful and most prolific film industry in one state.
    In 1905, Australia produced the world’s first feature-length films: “Kelly Gang story.” World-renowned Australian director Charles Chauvel, Ken Hall and Raymond Longford, is the pioneer silent movie era. They filmed, including “passionate guy” (Sentimental Bloke), “life imprisonment” (For the Term of his Natural Life) and other film classics.
    After World War I, the British film industry between the United States, through the vertical integration of the system (ie, film distribution and screening plant has a chain of companies), and large quantities of pre-cinema the way they operate in the international film industry, and accounted for dominance, resulting in Australia’s domestic production, lack of access to screening opportunities.
    The early sound era (1930-1960)
    With the invention of recording technology, the world, the emergence of the first “talking” movies. Cinesound Company (hired Ken Hall and Charles Chauvel) newsreels and feature films in the field, soon played a leading role. In the early sound era produced most of the film, such as Ken Hall’s “father and David” (Dad and Dave), and “Matthew’s son” (Sons of Matthew), are involved in this young country’s colonial background .
    Australia there are some unique form of cooperation with foreign films, such as the Ealing studios of “superfluous” (Shiralee) and “sunset” (The Sundowner). Local film industry, is was downhill state. To stop the landslides, the Australian Government has established a federal film organizations, film production for local people to gain more production experience. Federal film organization is to encourage the production of documentaries, this is just an experience.
    In 1956, when television began to penetrate every corner, the film industry feel that the film industry may in fact be affected by the threat of this new media. As a result, the Australian Government requirements as TV ads, you must join the Australian element of the local film-makers, get more experience at the same time, the film industry benefit. In other words, all broadcast advertising in Australia, must be locally produced in Australia by Australians.
    Interim period (the 1960s)
    TV in Australia, audiences still flock to the cinema continued. The local film industry, being a conservative, boring art advocating government and the U.S. cultural imperialism damage. For this reason, in 1951, to 1966, Australia is not even produced a feature film. In the late 1960s films, mainly co-producer, and directly by foreigners (mostly from England Michael Powell) director.
    In the 1960s, the conservative Menzies government under the leadership of the Australian film prospects look bleak. Fortunately, his dull art of advocating regime be replaced Gorton government.
    Renaissance (1970)
    Gorton government realized that, through art this practical way, the young nation of Australia, can be domestic and foreign knowledge, by the help display its unique identity. Gorton Government has set up an experimental film fund (EFF), its purpose is to develop the domestic creative talent. Through this project, to explore the best filmmakers will be invited into the National Film school on. This is the beginning of recovery in the Australian film industry.
    Just before the establishment of film school, Gorton government was replaced by Gough Whitlam government. Fortunately, Whitlam Gorton seems to be more support than the development of the arts. Whitlam Government invested a lot of money to the film industry, the establishment of a planned Australian Film, Television and Radio School. The establishment of AFDC, a federal film fund organization to stimulate local film production.
    Meanwhile, the Australian film production people, passionate generation, from the International Film Festival (for example, the newly established Cannes Film Festival), and from a series of controversial, and local authorities allowed to show R-rated films and foreign (a certain age children, in addition to parents and guardians, shall watch the movie), access to a huge inspiration. R-rated film classification system in the invention and a film festival before, Australians can only watch American and British cultural products.
    In the 1970s, the emergence of a new wave of Australian filmmakers and began a new round of co-production, the Australian Film, Television and Radio School, the film industry in this country and lay a new foundation. Such as, Peter Weir, George Miller, Bruce Bersford, Fred Schepisi and Gillian Armstrong, who finally have the opportunity to make at home and abroad, both for support, but also respected film. During this period, there are two types of films. The first, is known as the Australian Film Commission film scholars were inspired by European art film. Such films, often based on literary works, the slow pace of the story, the role of deep. Weir’s “Picnic on the cliffs” (1975), and Armstrong’s “My brilliant career” (1979), is the epitome of this genre. The second type of film, is widely known, marketing or use pornographic type type. Such films, known as the tendency to work with the business. Miller’s “Mad Max” and Beresford’s “crazy party”, and Tim Burstall’s “Alvin Purple”, belong to this movie, they succeeded in making the film in Australia again, appreciated and recognized by the public.
    The outbreak period (1980s)
    Australian Federal Government realized the commercial potential of Australian film, in the early 1980s, the establishment of a tax known as the 10BA tax incentives to stimulate the system. 10BA to encourage private investors to support the local film, to investors on their investment, to provide 150 per cent tax rebate. The system, popular, so that in the 1980s films, than any ten-year, production in Australia to be more. Unfortunately, the business community some people abuse this system, they made the investment, purely for tax rebates. This means that those who know nothing about film production accountants, lawyers and other investors, have been transformed, becoming a movie producer. For this reason, Australia during this period, there have been some bad poor attendance sheet.
    Wave after (since 1990)
    With the outbreak of the 1980s, and another movie Fund FFC, established in 1988, the Australian film industry, get another rebirth. New wave, bringing the genius of director Jane Campion, PJ Hogan, Jocelyn Moorehouse, Bax Luhrmann and Geoffrey Wright and so on. These filmmakers, film school graduates are (mostly graduated from AFTRS, or Victoria’s Swinburne film school.) They produced a series of personal style, detailed and accurate, and “strange” color film, such as, “Dance of love sparks” (1992), “lawlessness” (1992), “Muriel’s Wedding” (1994), “Piano Passion” (1993), “Priscilla, Queen of the desert” (1994), and “shining style. ” These films, in the local and foreign, have a very good box office, so that this period has become Australia’s most successful period in the history of cinema. The prosperity of local film production, so that the Australian Film, more and more international attention. Many prominent film director and actor, from the international film, active in the Hollywood big screen.

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    澳大利亚电影-Aodɑliyɑ diɑnying 澳大利亚电影 Australia, cinema in 1896年 8月,在墨尔本的歌剧院,首次放映了英国人R.W.保罗摄制的,关于伦敦威斯敏斯特桥的纪录短片。同时,法国卢米埃尔兄弟派出的摄影师,在墨尔本拍摄了一部纪录片,反映盛大的墨尔本杯赛马活动。这部影片,在墨尔本和悉尼,上映达 3个月之久,是外国人在澳大利亚拍摄的最早的一部影片

    目录
    简介
    澳大利亚电影简史
    默片时代(1890-1930)
    早期有声时代(1930-1960)
    间歇期(1960年代)
    复兴时期(1970年代)
    爆发时期(1980年代)
    新浪潮以后(1990年代以后)
    简介-20世纪初,英国人类学家C.斯潘塞来澳洲拍摄了关于土著居民的风俗习尚的纪录片,开创了以研究土著居民文化生活为目的的,人类学纪录片之先河,救世军,在这个时候,开始拍摄宣传宗教的短故事片,如,《 早期的基督教殉难者》(1899)。第一部澳大利亚人摄制的影片《 凯利帮的故事》,是1906年上映的,它标志着,澳大利亚电影的诞生。影片由C.泰特摄制的,内容描写侠盗凯利兄弟和警察之间的斗争故事。这显然是受到当时美国畅销影片《 火车大劫案》(1903)的影响。《 凯利帮的故事》放映时间为66分钟,并用演员在银幕后配音,这很可能是世界上第一部长故事片。这部影片的畅销,导致了这种类似美国西部片电影的泛滥。当时,没有随波逐流的导演,只有R.朗福特他出身演员,自当上导演以后,一贯注意影片的质量,作品具有现实主义风格。他拍摄的《 邦蒂号的叛变》(1915)、《 我们的选择》(1919),和《 多愁善感的家伙》(1920),都得到了较高的评价。特别是后者,成功地塑造了澳大利亚人的性格。 
    在第一次世界大战前,美国、英国的影片,开始进入澳大利亚,与新生的澳大利亚电影展开竞争。从20年代起,廉价的英国美国影片,逐步侵占了澳大利亚电影市场。澳大利亚的民族电影,因成本高、题材贫乏等问题,陷于一蹶不振的境地,很多电影工作者,被迫放弃故事片的拍摄,转向新闻纪录片。这种情况,一直持续到第二次世界大战后的50~60年代,以美国影片独霸澳大利亚银幕,达到极点。在这段时期内,只有少数几位导演,在为繁荣本国电影,而辛勤地进行创作。他们中,影响较大的,是G.E.乔维尔。从1925年的《 蒙比的蠢虫》一片开始,到他1959年死于贫困为止,乔维尔摄制了许多真正澳大利亚题材的影片,如,反映澳大利亚军队,在第一、二次大战期间,英勇作战的《 四万骑兵》(1941),和《 托勃鲁克人的老鼠》(1948)等。他最后一部重要作品,是《 杰达》(1955),他在影片中处理种族问题不当,这部影片,遭到失败。   
    第二次世界大战时期,由新闻宣传的需要,澳大利亚的新闻纪录片,有长足的进步,同时,吸收和培养了很多电影工作者。大战以后,斯坦利 霍斯,于1946年,建立了拍摄新闻纪录片的联邦电影机构(即,现在的澳大利亚电影公司),K.G.霍尔在他的公司中,设立了拍新闻纪录片的部门。这时,在悉尼大学学过人类学的I.邓洛普,进入了电影界。从1957年开始,他多次进入澳大利亚西部的沙漠,拍摄了不少关于土著居民生活的纪录片,逐步成为澳大利亚人类学电影的权威人士。   
    70年代开始,政府的重视和鼓励(如,建立电影委员会,对影片进行资助,开办电影、电视学校,创办电影资料馆等),民族意识的进一步觉醒,澳大利亚电影,进入了复兴时期。这首先表现在-长故事片产量的稳步上升。澳大利亚1969年,只发行了5部国产片,到1971年,上升为11部。整个70年代,平均每年发行15.2部国产片,之后,这个数字,有所上升。其次,电影创作人员和技术人员队伍,不断扩大并日趋成熟,特别是一批中,青年编导人员,在70年代初,陆续走上影坛,促进了国产影片的发展。这些新生力量中,有:T.伯斯塔尔、P.韦尔、B.贝雷斯福德、J.杜伊甘、D.克龙比、F.谢皮西、戴维?威廉森、艾戈尔?奥津斯、G.阿姆斯特朗等。这批编导的大部分作品,从内容到形式,都是澳大利亚的,例如,由P.韦尔导演的《 悬崖上的野餐》(1975),和《 加利波利》(1981);由B.贝雷斯福德导演的《 获得智慧》(1977),和《 驯马手》(1980);由G.米勒导演的《 从雪河来的人》(1981)等影片,都是新生的澳大利亚民族电影中的佼佼者。这些影片的内容,取材于历史,不直接反映现实,往往能引起观众对今天社会问题的联想和思考。有些影片的内容,层次较多、涉及面较广,耐人寻味。这些影片,一般来讲,构图讲究,光和色彩的运用,恰到好处;镜头流畅,善于利用大自然的景色作背景。随着国产片的发展,在澳大利亚银幕上,出现了一批有影响的本国电影明星:梅尔 吉布森、约翰 哈格里夫斯、杰克 汤浦森、布赖恩、布朗、海伦 莫斯等。   
    80年代以来的澳大利亚影片,在发挥上述特点的同时,在某些方面有新的突破。这首先表现在,内容已不仅限于历史,也采用了现实题材,如,反映吸毒问题的故事片《 冬天的梦》(1981)等。更重要的是,反映土著居民的影片,再度出现。它们已从早期的纪录片,发展到以故事片形式,来反映他们的生活和问题,一般都有较强的感染力。如约翰 霍尼的《 曼加妮妮》(1980),和艾戈尔 奥津斯的《 我们的偏僻地区》(1982)。80年代,澳大利亚电影的复兴,处于开始阶段,这首先是因为,在澳大利亚影坛上,国产片还处于少数地位,外国影片仍占绝对优势,其中,主要是美国片,一般,每年进口 200部左右;
    据澳大利亚发行商协会的统计,1963~1981年,在澳大利亚公演的100部最畅销的影片中,国产片,只占8部。其次,上述有特色的影片,在整个国产影片的产量中,只占少数。毫无特色的平庸之作、充斥着性的内容的影片,大量存在。就是一些较好的作品中,间或也出现色情镜头。   
    澳大利亚年产影片,约20部,有影院900余座(包括,汽车电影场),年观众3500万人次,票房收入1亿美元。联邦政府设有电影委员会,主要职责是,出资援助编写电影剧本和摄制影片,管理澳大利亚妇女电影基金、澳大利亚制片公司,和国家图书馆一起,负责维护电影资料。联邦政府设有电影电视学校、新南威尔斯电影公司、电影检查委员会和属于国家图书馆组成部分的电影资料馆。电影检查委员会负责对在影院公开上映的国产片和进口片检查,其重点,除了政治问题外,包括性与暴力。   
    澳大利亚电影界的群众组织很多,其中,影响最大的,是澳大利亚电影学会。它除了设置电影资料馆、研究中心和出版刊物以外,每年,还举办澳大利亚电影奖活动,这是每年举办的六、七个电影奖中,最重要的一个。澳大利亚每年,约举办10余个电影节,其中,较有影响的是:已举办过40余次的悉尼国际电影节,和已举办过30余届的墨尔本国际电影节。
    澳大利亚电影简史
    默片时代(1890-1930)
    自19世纪末期人类发明了电影这门技术起,澳大利亚人就紧紧地抓住了这个机会,将全部热情投入到这一全新的媒体中,澳大利亚电影业,进入一个飞速发展的时期。很快,澳大利亚电影工业,就成为世界上最强盛和最多产的国营电影业之一。   
    1905年,澳大利亚出品了世界上第一部故事长片:《 凯利帮的故事》。享誉全球的澳籍导演Charles Chauvel,Ken Hall 和Raymond Longford,是默片时代电影领域的先锋。他们摄制了,包括《 多情小子》(Sentimental Bloke), 《 终生监禁》(For the Term of his Natural Life)等电影经典作品。   
    第一次世界大战结束后,英国美国两国的电影业,通过垂直一体化系统(即,电影厂拥有发行和放映连锁公司),以及大批量预定电影院等运营方式,在国际电影业上,占据了主导地位,致使澳大利亚本土制作,难以获得放映的机会。
    早期有声时代(1930-1960)
    随着录音技术的发明,世界上,出现了第一部“说话”电影。Cinesound公司(雇佣了Ken Hall和Charles Chauvel)在新闻影片和故事片领域,很快就起了主导作用。在早期有声时代制作的大部分电影,如Ken Hall的《 父亲和戴维》(Dad and Dave),和《 马修的儿子》(Sons of Matthew),均是涉及这个年轻的国家的殖民背景的。   
    澳大利亚出现了一些形式独特的与国外合作制作的电影,如Ealing电影厂的《 累赘》(Shiralee)和《 夕阳西下》(The Sundowner)。本土的电影业,正在呈下坡状态。为制止滑坡现象,澳大利亚政府设立了联邦电影组织,以便当地的电影制作人获得更多的制作经验。联邦电影组织,主要是鼓励纪录片的制作,这只不过是一种经验。   
    1956年,当电视开始渗透每个角落时,电影业人士觉得,电影业可能事实上会受这种新的媒体的威胁。结果是,由于澳大利亚政府要求电视广告,必须加入澳大利亚元素,使本土的电影制作人,获得更多的实践经验,同时,使电影业受益。也就是说,所有在澳大利亚播映的广告,必须由澳大利亚人在澳大利亚本土制作。
    间歇期(1960年代)
    电视出现在澳大利亚后,观众依然持续涌向电影院。本土电影业,受到一个保守、崇尚沉闷的艺术的政府和美国文化帝国主义的损害。由于这个原因,1951年,至1966年间,澳大利亚竟然没有制作过一部故事片。在六十年代后期制作的电影,主要都是合制片,和直接由外国人(多数是由英格兰人Michael Powell)导演的。   
    1960年代,在保守的Menzies政府领导下的澳大利亚电影的前景,看起来很黯淡。幸运的是,他崇尚沉闷艺术的政权,被Gorton政府取而代之。
    复兴时期(1970年代)
    Gorton政府意识到,通过艺术这条可行之路,澳大利亚这个年轻的国家,可以被国内外认知,并由助于显示其独特的身份。Gorton政府设立了一个实验电影基金(EFF),其目的,是培养国内有创造性的人才。通过这个项目,发掘的优秀电影制作人,将会被邀请就入国家电影学校学习。这是澳大利亚电影业复苏的开始。   
    就在电影学校成立前,Gorton政府被Gough Whitlam政府取而代之。幸运的是,Whitlam 似乎比Gorton更支持艺术的发展。Whitlam政府向电影业投下大量资金,设立了计划中的澳大利亚电影、电视和广播学校。设立了AFDC,一个联邦电影基金组织,以刺激本土的电影制作。   
    同时,澳大利亚电影制作人中,充满热情的一代,从国际电影节(如,当时新成立的康城电影节),以及从一系列具争议性,而当局又允许放映的本土和外国R级电影(一定年龄以下的少儿,除有家长和监护人陪同外,不得观看的电影)中,获得巨大的灵感。在R级电影分级制发明和有电影节之前,澳大利亚人只能观看到美国和英国的文化产品。   
    1970年代,涌现了新一浪的澳大利亚电影制作人,开始了新一轮的合作制片,澳大利亚电影、电视和广播学校,为这个国家的电影业奠下新的基础。诸如,Peter Weir,George Miller,Bruce Bersford,Fred Schepisi 和Gillian Armstrong等人,终于有机会可以制作在本土和海外,既获得支持,又受尊敬的影片。   在这个时期,主要有两种类型的影片。第一种,是被电影学者称为澳大利亚电影委员会派、灵感来自欧洲的艺术电影。此类电影,通常基于文学作品,故事节奏缓慢,角色研究深刻。Weir的《 悬崖上的野餐》(1975),和Armstrong的《 我的璀璨生涯》(1979),就是这种流派的缩影。第二种类型的电影,被广泛称为,推销型或利用色情型。此类影片,被称为具有商业倾向的作品。Miller的《 疯狂的麦克斯》,以及Beresford的《 疯狂派对》,和Tim Burstall 的《 阿尔文紫色》,均属于这种影片,它们成功地使澳大利亚的电影,再次受到公众的赏识和认可。
    爆发时期(1980年代)
      澳大利亚联邦政府意识到,澳大利亚影片的商业潜力后,在1980年代初,设立了一套称为10BA税收优惠的税收刺激体制。10BA鼓励私人投资者,资助本土电影,向投资者就其投资额,提供百分之一百五十的退税。这套体系,深受欢迎,从而使在1980年代制作的电影,比任何一个十年期,在澳大利亚制作都要多。很不幸的是,商业界某些人,滥用了这套体制,他们的所作的投资,纯粹是为了退税。这意味着,那些对电影制作一窍不通的会计、律师和其他投资者,摇身一变,成为电影制作人。由于这个原因,澳大利亚在这个时期,出现了一些上座率很差的烂片。
    新浪潮后(1990年代以后)
    随着1980年代的爆发期,和另一个电影基金组织FFC,在1988年的成立,澳大利亚的电影业,获得另一次重生。新浪潮,带来了天才导演Jane Campion,P. J. Hogan, Jocelyn Moorehouse,Bax Luhrmann和Geoffrey Wright等。这些电影制作人,均是电影学校的毕业生(主要毕业于AFTRS,或维多利亚州的Swinburne 电影学校。)他们制作了一系列具有个人风格、详细而精确,和“奇特”色彩的电影,如,《 舞出爱火花》(1992),《 无法无天》(1992),《 穆丽尔的婚礼》(1994),《 钢琴别恋》 (1993)《 沙漠妖姬》(1994),和《 闪亮的风采》。这些电影,在本土和国外,都有很好的票房,使这一时期,成为澳大利亚电影史上最成功的时期。   本土电影制作的繁荣,使澳大利亚电影,越来越受到国际的关注。很多杰出的电影导演和演员,从此走向国际影坛,活跃在好莱坞的大银幕。

    歐盟,全球,世界,國際,五大洲,四大洋,大西洋,太平洋電影評論家社交圈;影評家社交圈;電影雙語種(漢語/中文;英語/英文)評論家社交圈;電影三語種(漢語/中文,英語/英文;法語/法文)評論家社交圈; 英語,英文,由谷歌自動翻譯;谷歌英語;谷歌英文 From: http://www.billionairesParty.com http://www.billionairesGroup.com http://www.billionairesdesire.com http://www.helicoptersbuyers.com 英聯邦直升機銷售集團公司董事局主席:Mr.George Chen = Mr.Geoorge S. Chen : 1779642876@qq.com ; george13901623260@163.com ; chensihong1961@126.com ; QQ: 1779642876 我自己的,只接受短信的手機(0086-13901623260); 我的一切生意夥伴,請與我的各個郵箱聯繫;潛在購買歐美品牌直升機者們,請你務必出具銀行資信證明書;如果購買者沒有RMB 3,999,999以上巨額存款證明書者,請勿打擾,謝謝 歐美名牌直升飛機購買者請填表:姓名,預算額,名片,單位網址,手機號碼,郵箱號碼,QQ號碼,用途,使用地點,飛行公里要求,有否直升機駕駛私照…

  2. 澳大利亚电影 澳洲电影行业是全球电影业中有影响力的国家之一。澳洲曾经制作或出品过一些优良的电影,现今,有众多澳洲电影人活跃于好莱坞,被称为桉树叶帮。电影行业,是澳大利亚文化的重要组成部分之一。 历史-在第二次世界大战前,澳洲制作过一些电影,有很多不乏被称之为优秀作品的电影在其中。第二次世界大战后,澳洲的电影行业,几乎处于一种停顿状态中。直至1970年代开始,工党领袖惠特拉姆为首的执政党政府,开始设立澳洲电影发展公司,其后,更改名称,为澳洲电影委员会(AFC).电影委员会,设立了属于政府自己的电影制片机构澳洲电影局,出资拍摄大量的电影,引发了澳洲历史上的第一轮电影制作热。著名的报纸专栏作家和广告业巨头菲利普·亚当斯,是在当时电影热时期的积极参与者之一。 澳洲人至今为止,澳洲的制片人,以及导演,以其独特的风格,在全球电影业上,赢得了属于自己无可争辩的地位,并对好莱坞影响巨大,在好莱坞,一些旅居美国的澳洲电影人,被称之为“桉树叶帮”。现今,活跃于好莱坞的多位制片人、导演,以及演员,来自澳洲。 知名电影参与者-他们其中,有多位曾经获得奥斯卡金像奖不同类别的奖项。曾经分别获得过奥斯卡金像奖最佳男主角和最佳女主角奖的演员,包括-妮可·基曼,梅尔·吉勃逊,杰弗里·拉什,拉塞尔·克罗,凯特·布朗谢。曾获得过奥斯卡金像奖最佳制片的制片人有4人,分别是迪安·塞姆勒,约翰·西尔,安德鲁·莱斯尼,拉塞尔·博伊德。知名的电影参与者,有许多包括-奥斯卡金像奖的最佳艺术,最佳原创,最佳服装设计,最佳摄影,最佳视觉效果,最佳导演,最佳化妆,最佳艺术等获得者。 知名电影(注:一些电影,是由澳洲电影人主要参与过的,制作地,大多数在美国好莱坞) 《无法无天》(1990年) 《舞出爱的火花》(1991年) 《鳄鱼邓迪》(1986) 《宝贝小猪罗》 《闪亮的风采》 《伊丽莎白》 《莎翁情史》 《巴拿马的裁缝》 《加勒比海盗》 《钢琴》 《一个女人的肖像》 《圣烟》 《飞行者》 《帝国黑客》 《角斗士》 《指环王》 《勇敢的心》 《英伦情人》 《与狼共舞》 《黑客帝国系列》 《红磨坊》 《怒海争锋》 《岁月如歌》 《澳大利亚》(2008) 《奇袭60阵地》 Australian Film

    Australian film industry is the world’s influential film industry in one of the countries. Australia has produced, or produced some excellent films, today, there are many people active in the Hollywood film in Australia, known as the eucalyptus leaves to help. Film industry, is an important part of Australian culture is one.
    History – before World War II, Australia produced some of the movies, there are many excellent works lack the film called where. After World War II, Australia’s film industry, almost in a standstill state. Until the 1970s, the Labor Party leader Whitlam government, led by the ruling party, began to set up the Australian Film Development Corporation, later, change the name for the Australian Film Commission (AFC). Film Commission, a government set up his own film production institutions in Australia Film Board, a lot of money to shoot the film, led the first round of the Australian history of film production heat. Well-known newspaper columnist and advertising giant, Philip Adams, at the time the film is an active participant in one of the hot period.
    Australians so far, the Australian producer and director, with its unique style, in the global film industry, has won the undisputed position of their own, and the enormous impact of Hollywood, in Hollywood, some living in the United States, Australia film, called “eucalyptus to help.” Today, active in a number of Hollywood producers, directors, and actors, from Australia.
    Well-known film actors – one of them, a number of different categories have received Oscar awards. Have respectively won Academy Award for best actor and best actress actors, including – Nicole Kidman, Mel Gibson, Geoffrey Rush, Russell Crowe, Kate Brown Xie. Who won Academy Award for best producer’s producer 4, respectively, is Dean Semler, John Sylvester, Andelulai Disney, Russell Boyd. Well-known film actors, there are many, including – Academy Award for Best Art, Best Original, Best Costume Design, Best Cinematography, Best Visual Effects, Best Director, Best Makeup, Best Art and other access who.
    Well-known film (Note: some of the film, is mainly involved in the Australian film ever to produce, the majority of Hollywood in the United States)

    “Lawlessness” (1990)
    “Dance of love” (1991)
    “Crocodile Dundee” (1986)
    “Baby pig Law”
    “Shine”
    “Elizabeth”
    “Shakespeare in Love”
    “The Tailor of Panama”
    “Pirates of the Caribbean”
    “The Piano”
    “Portrait of a woman.”
    “Holy Smoke”
    “The Aviator”
    “Hacker Empire”
    “Gladiator”
    “Lord of the Rings”
    “Braveheart”
    “English Patient”
    “Dances with Wolves”
    “The Matrix” series
    “Moulin Rouge”
    “Master and Commander”
    “Suiyueruge”
    “Australia” (2008)
    “Surprise attack 60 positions.”

    American Film Institute Film Master Class held in Beijing (Photos)
    2011-12-03, jointly by the American Film Institute Beijing International Copyright Trade Center jointly organized a three-day 2011 “Film Master Class”, concluded in Beijing. Including, former Chairman of Oscar Sidney – Ganis, President of the world’s largest short film festival – John Paulson, Warner Brothers studios, senior vice president John – Kaibo, the movie “life-threatening abyss” director Ali Manchester – Gerry Wilson and other nine international film master Han Sanping, chairman of China Film Group, Huayi Brothers Pictures Chairman Wang Jun, chairman PolyBona in winter, DMG Media Group CEO Dan – dense Benz, Beijing Enlight Pictures Kwong Wai Man, writer director, XUE Xiao-road and other domestic film industry heavyweight guests, gathered from more than 10 countries in the Asia-Pacific region more than 60 young filmmakers, the film co-production co-taught the world’s current situation and prospects, and from the screenplay development, filming, post production, marketing, distribution, and the subject of the Hollywood studios to start mode, enter the international market for Chinese films feel the pulse of ideas. Meanwhile, the masters were the industrial system, business management, career, legal rights, international cooperation, 3D production and other hot topics that began with the students close dialogue.

    In today’s promotion at the end of the film project, the young filmmaker from Australia Brandon – Skinner, the 16 contestants from the finalists to win, won the “Hollywood Tour” award, he will go to Hollywood studios learning exchange company to promote their own projects. In addition, five young filmmakers from various countries, received the Award of Excellence. Chinese student Liu Ying won the Motion Picture Association of America President of Asia Pacific Ellis good invited, as guests, held in Australia in 2012 to participate in the “Asia Pacific Screen Award”.

    The ceremony, former Chairman of the United States Oscar Sidney – highly appreciated Mr. Ganis Picture Association of America and the Beijing International Copyright Trade Center, built as a platform for young filmmakers. He said: “China’s development of the gold film is entering a critical stage, through the organization ‘film master classes’ these exchanges, we hope to in the international film, and see the real influence from the Chinese film production, but also hope that the Chinese film , to obtain gains early in the Oscar. ”

    In recent years, the rapid development of Chinese film industry attracted worldwide attention, theater construction and box-office showing explosive growth. In this context, how to improve the overall quality of domestic films, Chinese films in time to capture a golden opportunity to the international market, China’s film is an important topic of concern. Turning held “Film Master Class” mind, Motion Picture Association of America, president of China Feng Wei said: “China in enhancing the level of international film, Hollywood has a mature industry, mode of operation, and marketing system should learn from recent years, In addition we actively help promote Chinese films overseas (for example, in early November, held in the United States ‘Chinese-American co-production film retrospective’, etc.), hopes to organize ‘film master class’ way, so that more young Chinese film people – about learning foreign film production means and cutting-edge technology, through co-production, cooperation, the Chinese films are more global audiences. ”

    American Film Institute American Film Institute (MPAA / MPA) on behalf of the U.S. entertainment industry organizations, members of the company including: Paramount Pictures, Sony Pictures Entertainment, Twentieth Century Fox Film Corporation, Universal Studios, Walt Disney film and television production company and Warner Bros. Entertainment Company.

    European Union, global, world, international, five continents, four oceans, the Atlantic, Pacific Film critics circle; critics circle; film bilingual (Chinese / Chinese; English / English) critics circle; film three languages ​​(Chinese / Chinese, English / English; French / French) critics circle;
    English, English, automatic translation by Google; Google English; Google in English
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    美国电影协会在北京举办电影大师班(组图) 2011-12-03,由美国电影协会携手北京国际版权交易中心联合举办,为期三天的2011“电影大师班”,在北京落下帷幕。包括,奥斯卡委员会前主席西德尼-甘尼斯、全球最大短片电影节主席约翰-保尔森、华纳兄弟制片公司高级副总裁约翰 – 凯柏、电影“夺命深渊”导演阿里斯特-格里尔森等九位国际级电影大师与中影集团董事长韩三平、华谊兄弟影业董事长王中军、保利博纳董事长于冬、DMG传媒集团CEO丹-密茨、北京光线影业邝文伟、编剧导演薛晓路等国内电影行业重量级嘉宾,齐聚一堂,为来自亚太地区10多个国家的60余位年轻电影人,讲授全球电影合拍合作的现状和前景,并从电影剧本开发、影片拍摄、后期制作、营销发行,以及好莱坞制片厂模式等课题入手,为中国电影进入国际市场把脉献策。同时,大师们分别就产业机制、企业管理、职业生涯、法律维权、跨国合作、3D制作等热门话题与学员们展开了近距离对话。   在今天结束的电影项目推介会上,来自澳大利亚的青年电影人布莱登-斯金纳,从入围的16位参赛者中胜出,获得了“好莱坞之旅”大奖,他将前往好莱坞制片公司学习交流,推介自己的项目。此外,5位来自各国的年轻电影人,获得了优秀奖。中国学员刘影获得了美国电影协会亚太区总裁艾理善的特别邀请,作为贵宾,参加2012年在澳大利亚举办的“亚太电影奖”活动。   颁奖仪式上,美国奥斯卡委员会前主席西德尼-甘尼斯先生高度赞赏美国电影协会和北京国际版权交易中心,为青年电影人搭建的平台。他说:“中国电影正在进入黄金发展的关键阶段,通过举办‘电影大师班’这类交流,我们希望能在国际影坛上,看到来自中国真正有影响力的电影制作,也希望中国电影,能早日在奥斯卡获得斩获。”   近年来,中国电影产业的高速发展令世人瞩目,影院建设和票房都呈现爆发性增长。在这个大背景下,如何提升国产电影的整体水准,及时捕捉中国电影走向国际市场的大好时机,成为中国电影人关注的一个重要课题。谈到举办“电影大师班”初衷,美国电影协会中国区总裁冯伟说:“在提升中国电影的国际化水平方面,好莱坞有一套成熟的产业运作模式,和市场营销体系值得借鉴。近年来,我们除了在海外积极协助推广中国电影 (如,11月初,在美国举办的‘中国美国合拍电影回顾展’,等等),希望通过举办‘电影大师班’的方式,让更多的中国青年电影人-了解学习国外的电影制作手段和前沿技术,通过合拍,合作,使中国电影受到更多全球观众的喜爱”。   美国电影协会是美国电影协会(MPAA/MPA)是代表美国影视娱乐的行业组织,成员公司包括:派拉蒙电影公司、索尼影视娱乐有限公司、二十世纪福克斯电影公司、环球电影公司、华特迪士尼影视制作公司和华纳兄弟娱乐公司。 歐盟,全球,世界,國際,五大洲,四大洋,大西洋,太平洋電影評論家社交圈;影評家社交圈;電影雙語種(漢語/中文;英語/英文)評論家社交圈;電影三語種(漢語/中文,英語/英文;法語/法文)評論家社交圈; 英語,英文,由谷歌自動翻譯;谷歌英語;谷歌英文 From: http://www.billionairesParty.com http://www.billionairesGroup.com http://www.billionairesdesire.com http://www.helicoptersbuyers.com 英聯邦直升機銷售集團公司董事局主席:Mr.George Chen = Mr.Geoorge S. Chen : 1779642876@qq.com ; george13901623260@163.com ; chensihong1961@126.com ; QQ: 1779642876 我自己的,只接受短信的手機(0086-13901623260); 我的一切生意夥伴,請與我的各個郵箱聯繫;潛在購買歐美品牌直升機者們,請你務必出具銀行資信證明書;如果購買者沒有RMB 3,999,999以上巨額存款證明書者,請勿打擾,謝謝 歐美名牌直升飛機購買者請填表:姓名,預算額,名片,單位網址,手機號碼,郵箱號碼,QQ號碼,用途,使用地點,飛行公里要求,有否直升機駕駛私照…

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